Simon Rickard’s Garden

On a sun soaked autumn day we visited Simon Rickard’s Open Garden.

The thrill of inspiration is always on my radar, whether it be a self-sown masterpiece or a lovely cultivated combination. Nature and man both have enough lessons to pack my head full to buzzing and I forgot how great it is to blog it out. Recording and unraveling my thoughts and sharing these beautiful places with you.

So there is nowhere better to start than a quiet little street in Trentham, bursting with produce and an ornamental walk that would have impressionists reaching for their brushes. Simon Rickard, (ex-Digger’s Club head gardener, author of Heirloom Vegetables and modern bassoonist), with his curled mustache and suspenders could have stepped straight out of Portlandia’s song Dream of the 1890s. It takes panache and swagger to carry of a Mo that ornate and I think Simon just made gardening a little bit cooler.

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The arbitrary nature of what humans deem beautiful or not must somehow connect back to our primitive brain and its associations with nature. Is this curving walk through soft swaying stems in mauves, greens and pinks an echo of a safe meadow where we could lay down a head for a nap?

Simon certainly has perfected the art of the cultivated wild. No doubt each plant has been carefully selected and situated but the overall appearance is effortless.

Pruning timed expertly before each plant burst into autumn colour so they are compact but not topiaries. When I started the Flemington Food Forest I thought I could just let things take their natural form, but found in the limited space some plants were too unruly and I had to rescue their neighbours from imminent smothering. He also allows big blocks of colour and plant. It’s hard when you begin gardening not to plant things to close together, after all they are tiny when they go in. Careful construction of a perennial armature filled in with mulch, annuals and groundcovers seems like it would save time in plant wrangling in the future.

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Simon’s garden plot is surrounded by a post and wire fence which is a direction we are trying to head in at the Norfolk Terrace Rehabilitation garden. It’s so lovely to see that vertical space protecting as well as delineating the vegetable plot. The evergreen edible hedge to the west with a row of sunflowers behind is where we got our first glimpse of Simon, a hipster cowboy with bewitched older ladies in tow. To the north thornless cane berries reached taller than I had ever seen before and the other compass points espaliered deciduous fruit trees.

What’s your favourite part of Simon’s garden? Which private or public gardens inspire you?

The veggie beds themselves were overflowing with produce, laid out in more of the European style rows than the riot of companion planting I’m use to. He does mix onions and carrots, but even those are in neat little groves. There is something nice about a lovely straight row of lettuces, but with chicken’s like mine scattering the tastier leafies is the only way they can survive hiding behind spring onions and lavender. A fence of juicy red apples, pumpkin’s as big as your head and teepees of beans… what an eden! It’s a lovely reminder, nay reinforcement that edible gardens can have a lush sort of beauty that can hold its own against any ornamental.

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simon rickard garden

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st erth

Sometimes inspiration is best digestested through the eyes. Follow me through the garden of St Erth.

Hidden in the heart of the dusty, dry Blackwood bushland, there is a lush garden oasis. Our last visit was made all the more surreal because the surrounding bush was crackling with ‘planned burns’, smoke wreathing the town below. Climbing upwards we exited the smoke and found the normally placid place packed with cars winding down the hill. The nursery, packed with its normal smörgåsbord of rare edibles and ornamentals, was overflowing and the cafe too. We had accidentally, but providentially arrived on the day of their Spring Festival.

The nursery is usually the main event for me: Native Finger Lime Pink Ice, Purple leafed Elderberry, Kiwiberry Issai, Tomato Wapsipinicon Peach…the names alone enough to delight the fancier of unusual & heirloom, however the garden is a real treat. I had already seen it a number of years ago, but and it was still able to surprise me. Behind the box hedges and the espaliered fruit trees in flower there was a Food Forest! Winding paths banked with drifts of marjoram, arbours lazy with hops, currants dropping with fruit. It really is amazing, I hope you all find time to investigate, it’s worth the trip. Afterwards I also recommend a cafe and coffee at the Black Wood Merchant in town, they’ve got lots of local delights to take home too and an antique store next door.

What are your favourite nurseries?

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fin

nothing lasts forever, be grateful that you were there at all

When I greeted Melbourne she bashfully hid her parched fields and warehouses behind a dense fog. At 5am, mine was the last plane to touch down in Melbourne, all the others were diverted to Sydney.

I was tanned and air freshener fresh as I was greeted by mum and the crisp cold air. Dressed in shorts and emboldened by adrenalin I didn’t feel a thing, except happiness to see my family again. This faux alertness faded of course, it masked the deep exhaustion of jetlag, but not before an exhilarating ride through the deserted early morning streets, home made special by fog and the ungodly hour.

Working on Le Tour for the last 10 days had left no room for contemplation, 5am to midnight of bikes, support vans and photography and official blogging. The results can be seen here. When it all suddenly came to end, after two weeks of itineraries and guests, I was cast adrift. On a train by myself watching Grenoble disappear, leaving Dylan behind for the first time in 6 months.

Of course it rained in Paris, just how I remembered it, a grey sky over a tapestry of roofs and chimney pots. I wandered aimlessly, filling in time until my friend Dakshinee arrived on the Eurostar from London (what a relief to not be friendless in a foreign land).

I found myself retracing old steps, the Eiffel tower evading my view, the walk much longer than I remembered. Then there it was, I sat there eating lunch, not feeling like a tourist, but an observer of them. Then just when I felt it was all rather boring, lacking the magic of first acquaintance, the skies opened, thunder and lighting split the sky. Running for cover, huddling under trees, there was something that bound us all together. It was more exhilarating than any perfect sunny day under that metal tower could ever be.

Rain cleared and began to walk away, a man fell into step with me. “You are a photographer?” he asked “you were taking photos of people, weren’t you getting wet?”. This was the kind of conversation that never spontaneously happened to me back home, perhaps for the very reason I am rarely alone. It was nice, and I’ll admit a little bit flattering that this Frenchman wanted to walk me all the way to the metro, and expressed regret I couldn’t spend the day with him. An experience, and a seamless escape as I went to meet my friend. Although it might sound strange, I never imagined that Parisians would choose to walk to that tourist trap of a tower, but I guess even they aren’t immune the romance of Paris.

After a late night Italian meal and a sickeningly sweet cocktail with Dakshinee (the French don’t seem to do cocktail bars), we had half a day before my flight back home. The end. We did some more aimless wandering and then settled on a walk to the Sacre Coeur for a picnic, and to catch a glimpse of that view. I needed to drink it in, there was nothing like it in Australia. Sunday streets were quiet and closed, even in Paris, bus as we climbed upwards, past the Moulin Rouge, the tourists thickened and so did the shops of plastic Eiffel towers and Paris kitsch.

At the top a sea of cameras and tourists, a steep slope of grass dividing them down the middle. Why was no one sitting on the grass? Was it forbidden? We saw no signs so we clambered up for our picnic. As so often happens, this emboldened others to follow suit. And then another magic memory, what I’ll hold as my last memory of the trip even though there was walking and packing, trains and airports after, this is the last thing that touched a string in my heart and kept resonating.

There were loads of men pushing their wares on tourists, buskers and performers taking advantage of the crowds, but amongst them all universal attention was on one. He pressed play on his CD player and mounted his stone pedestal. He lazily began twirling his soccer ball on his finger, then the tricks really began, not once did he drop the sphere, he rolled it over his back, up and down his legs, span and balanced on one hand, the ball never loosing its orbit. The climax, which was not lessened by a second watching was when he began to climb a lamppost, ball spinning on his head, then holding himself horizontal by the arms, began kicking the ball and twirling it on his feet. The crowd went crazy, he had earned his tips. People came up to shake his hand after it was all done. Then the rains began again and washed them all away. Then there was the quiet journey home, just me, the end of something special.

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les marches

The tempo has changed, a mad orchestral crescendo replaced by the scratch scratch scratch of a record needle. That’s how every holiday ends for me, there’s a moment when I tire of exploring, I become retrospective, my petals curl inward and I wait for the nurturing touch of home. I’m surrounded by origami flowers, I sketch a thousand ideas in my notebook, they wait for my return to come to life too. I am content just being in this place rather than feeling that visceral itch to document everything. Missing a photo of that french clockwork or that sweeping vista no longer worries me. I have seen so much, my mind is full, it will digest and I’m sure soon after my return I will want more, but for now I have been a glutton for experience and I need to rest.

There is one finally destination before we commence work on the tour. A hair-raising descent that leaves my fingers aching from applying the break then we hit the silent Sunday streets. The only person we see is a man walking his cat, that heightens the uneasiness of a deserted city.

As we draw closer to the trainstation more people emerge but almost everything is closed. The train is packed though and it is a relief to be deposited in montmélian. The mountain rears up before us with a geometric pattern of vineyards so steep it feels like a birds eye view.

We ride, the asphalt sizzles with heat. The horizon waves in a haze of cornfields squeezed between houses. My ears begin to ring and my vision closes in, I need to rest in shade with a drink before deciphering the tangle of french instructions that have come with every airbnb in this country. No one seems to have an address, they have a treasure map.

We enter a French housing development, so different to one in Australia, contemporary techniques hidden in a skin of the old world. Our host has that right amount of English for me to improve my french. Not so much that I am complacent, not so little that we don’t bother to communicate.

They welcome us for a family meal, and their cheeky youngest sun puts on a snorkel for dessert. Earlier his entire face lit up when Dylan skirted him with a water pistol in the pool, it was game on! The other boys have already reached the self conscious age where something as silly as language is a barrier.

The humid air produced a rainbow before even a drop of rain fell. Then it rolled over and we were glad that our tent days were over for this trip and there was a soft bed waiting for us.

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